We all may be players on the world stage, still the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual demonstration, just like in real life? Much enjoy dreams our imaginations get presented to us on the mental screen as though we had been watching television or movies. And as in dreams the real world gets supplanted by the imagined virtual world although we are fully alert. That world still has perfect resemblance to the actual one and everything happening in it seems real as a result of something shifting in our cognition school. However, the mechanism which activates our emotional responses remains unchanged and therefore we respond to this fiction in the same manner as in real life.
Here we have some similarity with the virtual reality of the modern computer technology, which is an artificial environment created by software. It is presented to the viewer in this way in which the individual temporarily suspends own opinion pattern and accepts it as a real atmosphere. In a way it is not different from the occurrence of being transported to the imagined world of fiction, except that the computer doing the job is in mind and we have no clue regarding what is the software and who’s your programmer.
This brings us to the cause of psychological reaction itself. In respect to fiction the most frequent emotions are likes and dislikes that may turn into their stronger forms of love and hate. In real life we love or hate a person because of a few attachment through kinship, friendship, or through indirect understanding of the individual. An individual cannot love or hate a person a person does not know in any way. Attachment can also be to other living beings, material things, and even to imaginary things. We love or despise a story or even an idea. For an ordinary person it’s not possible to live unattached to items on the planet. If a person can get rid of attachment, one unites the rank of educated souls that are indeed rare. We carry our capacity and desire for attachment into the imaginary world of fiction. We see the characters that we come to know as the story progresses, form our likes and dislikes, and react in precisely the same manner like in real life except we cannot interact with them physically. But we do socialize together in our heads and hearts out of where the emotions come. Has what you have found added to your prior knowledge? why not find out more is a massive area with many more sub-topics you can read about. We have found other folks think these points are helpful in their search. A lot of things can have an impact, and you should widen your scope of knowledge. Try evaluating your own unique requirements which will help you even more refine what may be necessary.
The concluding discussion will solidify what we have revealed to you up to this point.
The fact is that at a specific sense life itself is fiction. Like a narrative it has a beginning, an end, and also lot of things in between. We don’t know who writes this fiction will ever know. Thus we have an innate affinity with fiction and cannot completely detach ourselves from it. And perhaps that is the reason why, while reading or seeing fiction we get dropped in the wonderland of imagination, but for this short period we operate exactly in precisely the exact same way as we want in the actual world of our perception. In that sense fiction is just invented reality.
Theme is the reason fiction things, because it is the quality that gives the narrative a universal appeal. Some say motif is exactly what the story is all about, but that’s too ephemeral a definition, which might get confused with all the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the narrative forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the storyline or the original idea that started the story. For example, a writer could start with the idea of exploring family connections between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, sometimes without the writer’s understanding of it in the start; however, more seasoned writers typically work on their theme more difficult than any other part of the story once they grab on to what it is they are writing about.
In non-fiction, the writer is advised to hone in to his subject and start referring to it at the very first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the story progresses.